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JMTP Volume 17 |
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Applying Traditional and Proportional Aspects of Form to Atonal Music |
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Scanning Bass Patterns - A Middleground Path to Analysis |
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Contention in the Classroom - Encouraging Debate and Alternate Readings in the Undergraduate Theory Class |
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Joseph N. Straus - Elements of Music reviewed |
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Some Personal Reflections on Past Methods of Teaching and What They Can Tell Us About Current and Future Initiatives |
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JMTP Volume 16 |
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On Teaching "Tonal Mirror Counterpoint"- A Guide to Concepts and Practice |
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"Approach Strong Deliveress!" from George Crumb's Apparition - A Case Study in Analysis and Performance of Post-Tonal Music |
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An Aural Skills Approach to Context and Modulation in Tonal Music |
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JMTP Volume 15 |
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Melodic Dictation Scoring Methods - An Exploratory Study |
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No Simple Pieces - Curricular Coherence, Row Combination, Classroom Vocalization, and the Trio from Schoenberg's Suite for Piano, Op. 25 |
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Rethinking the Teaching of Minor Scales and Keys |
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An Intersection of Counterpoint and Harmony |
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JMTP Volume 14 |
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Gary Karpinski - Aural Skills Acquisition |
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MUSICOG 2001 at Ohio State |
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David Walker & William Renwick |
Modelling Professional Practice in Music Analysis with Computing |
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Aural Skills, Pedagogy, and Computer Assisted Instruction - Past, Present, and Future |
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Competing Analyses as Pedagogical Strategy and Hugo Wolf's Das verlassene Mdgdlein |
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Welcome to Theory Camp! More Than Simple Remediation |
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Allen Cadwallader & David Gagne - Analysis of Tonal Music - A Schenkerian Approach |
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Mary Jo Lorek & Randall G. Pembrook |
To Doh or Not To Doh - The Comparative Effectivenes of Sightsinging Syllable Systems |
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Richard Devore & Ralph Lorenz |
Teaching Ear Training Using Medieval and Renaissance Music |
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JMTP Volume 13 |
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The Evaluation and Design of an Undergraduate Music Theory Placement Exam |
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Part Writing, Prose Writing - An Investigation of Writing-to-Learn in the Music Theory Classroom |
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MusicCog-99- A Workshop Symposium in Music Cognition |
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Society for Music Perception and Cognition Conference |
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